There's a deep, otherworldly moaning underneath the strings. We use a percussion
technique to get that sound out of the timpani and bass drum by rubbing it with
a super-ball or wet finger.
(My producer had a real "WTF" moment when he heard
that sound coming from the orchestra, by the way.) Following that with the
orchestral bells seemed the obvious choice for the Angel of Death—a character
not for whom the bell tolls,
but the one who's holding the bell and tolling it
for everyone else.
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